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Rifle Shot
The family tragedy in Todd Field's 'In the Bedroom' echoes like a rifle shot
By Don Hines
LIKE HEARING a hunter's rifle shot while walking through the woods, In the Bedroom is a pastoral splintered by violence from not unexpected places. In a seaside Maine village, Frank Fowler (Nick Stahl) spends the summer before graduate school working a blue-collar job (lobster fisherman) with a blue-collar girlfriend (Marisa Tomei, never better as a swarthy Stella Dallas). She's an older single mom not quite separated from her volatile husband. Frank's liberal parents, Ruth (Sissy Spacek) and Matt (Tom Wilkinson), disapprove of and indulge their son's liaison, respectively.
First-time director Todd Field has a keen eye and sure hand He walks the film, at a small town's somnambulant pace, into a first-act tragedy and aftermath. In the year's best ensemble performance, Matt slowly erodes from grief, and Ruth's face hardens into a death mask. Although a crucial plot twist reeks of Dirty Harry Down East, the parents' New England reticence is as heartbreaking as Robert Frost's poem "Home Burial."
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