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Greetings From the Salton Sea: Folly and Intervention in the Southern California Landscape, 1905-2005
Richard von Busack
Matisse the Master--A Life of Henri Matisse: The Conquest of Colour, 1909-1954
Spurling rightly points out how startling and influential Matisse's forays to the furthest reaches of optical perception and pure color really were, provoking shock and curses from appalled gallery goers when they got a look at the assault of pinks and greens that is Nymph and Satyr. But her analysis of individual paintings is not as insightful as her understanding of the complex web of family relations that allowed Matisse to pursue his art with obsessive force--even at 70, Spurling relates, Matisse said that he still "felt the urge to strangle someone before he could begin to paint." Matisse's wife, Amélie; his sickly but dogged daughter, Marguerite, who endured endless operations to keep her collapsed windpipe open and who was tortured by the Nazis; and a succession of devoted models/muses/nurses coddled and cajoled the crusty patriarch through the horrors of two world wars, unending marital strife (he and Amélie eventually separated), depression and multiple illnesses. All were in thrall to Matisse and his vision. As the surrealist French poet Louis Aragon wrote in his strange, fevered "novel" about Matisse (a book well worth seeking out for its personal observations of the artist in the 1940s), "One is as powerless before genius as before a snake." (By Hilary Spurling; Knopf; 512 pages; $40 cloth)
Michael S. Gant
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