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Room-Service Romance
'Maid in Manhattan' is arthritic New Depression fluff, based on Cinderella tale
By Richard von Busack
IN HER NEW FILM, Maid in Manhattan, Jennifer Lopez plays Marisa, a Bronx single mom who works as a maid at the Beresford, a midtown New York luxury hotel. During one shift, she meets a handsome prince--or, rather, a Republican senatorial candidate named Christopher Marshall (Ralph Fiennes). Marshall is a third-generation politician, and yet he's oddly apolitical; he's bowled over by the maid, whom he sees dressed up (against her will) in the expensive clothes of one of the guests. Three fairy-godmother-like fellow maids encourage Marisa to dream big.
The action here is all between the lines--in the realistic details of the maids' work. Note the real-life signs downstairs at the Waldorf-Astoria that order the help: "Don't Think, Don't See, Don't Know." But the class conflict here is smothered at birth by screenwriter Kevin Wade (Junior, Meet Joe Black and worse), working from a story by "Edmund Dantès." Yeah, sure, and I'm Alexandre Dumas; the nom de plume conceals John Hughes (the Home Alone and Beethoven franchises).
Weird storytelling details include the way Marisa's son is a young history buff who admires Nixon and Kissinger, and the script bends Marshall into a reprise of Clinton's forced march through a press scandal. (Marshall's unmarried--where's the scandal?)
Wayne Wang's work-for-hire direction is flavorless, and the star is a no-show. Lopez, putting on the distracted niceness of a beauty-pageant contestant, has but three facial expressions. She causes the most sensation in the theater (naturally), where she shows up modeling about $500,000 worth of clothes and diamonds at the "Prince's Ball" bit. In the presence of his leading lady, Fiennes is caught between muted interest and apparent distaste. (This is the kind of movie where the lead actor has a dog with him at all time so we'll be reminded what a nice guy he is.)
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