From the mid-1960s through 2000, hundreds of masks made of bisque-fired clay decorated the exterior of Japanese-American sculptor Ruth Asawa’s home. The late San Francisco-based artist, best known for her biomorphic wire mobiles, immortalized the myriad faces of her friends and family but never exhibited the collection formally. That’s all changing with the opening of The Faces of Ruth Asawa at Cantor Arts Center, when these ceramic masks once considered “ephemera” cross over to museum-guarded glory. Curator Aleesa Pitchamarn Alexander says the masks “completely expanded my understanding of Asawa’s practice.”
Opens Wed, 11am, Free
Cantor Arts Center, Stanford