[ Movies Index | Show Times | Silicon Valley | Metroactive Home | Archives ]
Sun Screens
Monsters, paranoia and revealing documentaries heat up the summer movie releases
By Richard von Busack
AMID WHAT IS going to be a turbulent summer, blown wild by political rhetoric, it's consoling to see so many old-time summer-movie faces: Phileas Fogg and Frankenstein, Godzilla and Helen of Troy, and the Stepford Wives and the Manchurian Candidate. Escapism abounds, but a number of populist documentaries reflect the struggle outside the theaters all summer.
When the smoke cleared from the San Francisco International Film Festival recently, what were most talked about were the documentaries. Not just the hit Super Size Me but also Metallica: Some Kind of Monster (opens July 16), a remarkably intimate look at a band at the midlife breaking point, directed by the Paradise Lost team of Joe Berlinger and Bruce Sinofsky.
No one knows for sure what the opening date is for Michael Moore's Fahrenheit 9/11, a movie that Miramax's parent company, Disney, balked at distributing because Moore draws links between unsavory Saudis and George W. Bush. While we're waiting, The Corporation (June 4) could turn out to be the most successful documentary since Bowling for Columbine; it's already a phenomenal success in Canada. This strangely hopeful film examines the history and personality of the corporation, a subject that paralyzes the average person with dread. Interviewees include (of course) Noam Chomsky and an unusually thoughtful Michael Moore, as well as Milton Friedman and Royal Dutch Shell chairman Sir Mark Moody-Stuart.
The Yes Men (Aug. 27), the Grand Jury Prize winner at Sundance, concerns two performance artists who took up a prankster career posing as representatives of the World Trade Organization.
Those who prefer their paranoia fictionalized can hang on for Jonathan Demme's unusually well-cast and timely remake of The Manchurian Candidate (July 30). The evil Maoists have been transposed to "The Manchurian Corporation," and Denzel Washington steps in for Frank Sinatra. Paramount pushed up the film for release before the elections. The joke's on the studio if the president cancels the elections, isn't it?
Of the summer's imported films, Love Me If You Dare (May 28), should be a true art-house date movie success of Amélie proportions, though to me it looked like a two-hour-long Skittles commercial. (The French title, which translates to "Child's Play," suggests the film's essential juvenility.) A pair of wacky rejects--a poor Polish émigré and an as-good-as-parentless French boy--embark on a series of dares that become more and more romantically extreme as they age.
Most of the above movies will be turning up at the new Camera 12 Cinemas complex in downtown San Jose. The multiplex is set to have its grand opening June 18, taking over the empty UA, a multiplex they help put out of business. The goldfish swallows the whale.
For revivals who cling to the idea that films really were better in the old days, the Stanford Theater in Palo Alto will shortly be announcing its always-busy summer schedule of silents and vintage movies. And in July, the always first-rate Silent Movie Festival returns to the Castro Theater in San Francisco.
At Santana Row, the summer-long Picnic, Popcorn and Picture Show free series includes Tobey Maguire's Spider-Man (June 30); that's the very night Spider-Man 2 opens, and our hero commences his life-or-death struggle with Dr. Octopus (Alfred Molina). As they lounge in their smoking jackets, with the Debussy and the smoke from $10 cigars wafting around their leather wing chairs, true Spider-Man fans must allow that Otto "Dr. Octopus" Octavius was the one villain who could really go after Spider-Man wherever he crawled, and thus he must be counted his greatest nemesis.
Throughout the summer, Santana Row's alfresco film series includes Pirates of the Caribbean (May 19), The Addams Family (June 16), Seabiscuit (June 23), Moonstruck (July 28) and A Fish Called Wanda (Aug. 11). The garden-surrounded screen at Santana Row is close to all modern conveniences, as well as after-movie pie at the Flames coffee shop.
Monster Mash
The summer monster-movie season that began with Van Helsing continues with Alien v. Predator (Aug. 13). This long-delayed installment in the Alien franchise finds the evil mansquid in a bout against the Predator, a low-rent extraterrestrial palooka.
The original Japanese Gojira (Godzilla) of 1954 opens in late May for a 50th anniversary date. Those who think "rubber suit" when they hear the name Godzilla will be shocked by the poignancy of Ishiro Honda's movie, a serious protest against nuclear testing. It boasts a human-interest plot that balances--and almost eclipses--the king of monsters.
If you want chuckles instead of tears with your mammoth reptiles, wait until Anacondas: The Hunt for the Blood Orchids (Aug. 27). This time, the snakes are infesting Borneo, hopefully played by the Descanso Gardens in L.A., where the first Anaconda was filmed.
The most fiber-free of this summer's sci-fi offerings is a wacky Disney version of Jules Verne's Around the World in 80 Days (June 16), with ace British comedian Steve Coogan (24 Hour Party People) as Phileas Fogg and Jackie Chan in the Passepartout role.
Coogan's director in 24 Hour Party People, Michael Winterbottom, helms a teaming of Tim Robbins and Samantha Morton in Code 46 (Aug. 6), a dystopic future romance about the liaison between a married man and a forger of identification papers.
I, Robot features Will Smith as the android-hating detective who learns Asimov's Three Laws of Robotics the hard way (July 16). The remake of 1975's The Stepford Wives (June 11) is played for comedy by director Frank Oz. Star Nicole Kidman is always at her best in macabre material.
Science fiction or science fact? as Paul Frees used to intone. In The Day After Tomorrow (May 28), nature has its globally warmed day of wrath: 250 mph tornadoes paddle Los Angelenos with their own Angelene billboards, and tidal waves and glaciers cancel the Long Island Ferry. Watching the fun are Dennis Quaid, Jake Gyllenhaal, the talented Emmy Rossum (of Songcatcher) and, as the doom-saying scientist, Ian Holm. And reluctant world-saver Donnie Darko returns in a director's cut of the cult film.
Sky Captain in the World of Tomorrow has been booted to Sept. 17, which is a disappointment; I loved the previews, in which CGI has been melded into flesh to re-create the look of old Fleischer Brothers Superman cartoons.
Soul Plane
Saved!
June
Badasssss!
The Chronicles of Riddick
Dodgeball: A True Underground Story
Garfield: The Movie
Harry Potter and the Prisoner of Azkaban
Napoleon Dynamite
A Slipping Down Life
The Story of the Weeping Camel
The Terminal
Two Brothers
White Chicks
Feline Wiles: Halle Berry makes a very sleek 'Catwoman.'
July
Anchorman: The Legend of Ron Burgundy
Before Sunset
The Bourne Supremacy
A Cinderella Story
Catwoman
Cheer Up
The Clearing
Garden State
King Arthur
Thunderbirds
The Village
August
Collateral
Danny Deckchair
Open Water
[ Silicon Valley | Metroactive Home | Archives ]
Copyright © Metro Publishing Inc. Metroactive is affiliated with the Boulevards Network.
For more information about the San Jose/Silicon Valley area, visit sanjose.com.
|
|